At Wordstock, Egan said she began with a when and a where (not a character or plot, the way many writers do).
While she writes all her journalistic pieces on a computer, she writes her books by hand. She laughingly said she doesn’t really have much direction when she writes, and said, “I don’t know what I’m writing.” Then added that was sometimes literally true because her handwriting is illegible (boy do a I sympathize). She said she was looking for something spontaneous, organic, a sense of time and place. Then she sits back and says, “What is it?”
She said she made three rules for herself with Goon Squad:
- Each chapter would have a different main character.
- Each chapter would have a different mood, tone, feel
- Each chapter would stand on its own.
She also talked about how the chapter in PowerPoint was added only after the book was sold. In a different interview, she explained, "It's the most openly sentimental chapter in the book, which I was able to do only because the coldness of the form let me go there. If it were written as conventional fiction, it would be the schmaltziest bore anyone has ever looked at. It only works because of the cold container. So it ends up being this very emotionally honest chapter, but structurally, it feels like the heart of the book to me, and I think the book almost didn't have a heart."
Read more of her interview here. I really like reading interviews with Egan, because she talks a lot about her process, which I find fascinating.
When she spoke at Wordstock, she said, Powerpoint (which she had to learn for the book, and it sounded like her laptop lacked the memory for it) is discrete moments separated by gaps - which is like the book. She also said the book was, for her, like a concept album.